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HIMALAJE aufiofilizmu
ORFF, Tschechische Philharmonie Prag, Vaclav Smetacek
Carmina Burana
Legendarne nagranie, niezmiennie poszukiwane od dziesięcioleci
BACH, Jean Guillou
Toccatas et Fugues (BWV 538, 540, 564 & 565)
EDYCJA LIMITOWANA, NUMEROWANA - TYLKO 500 EGZEMPLARZY W SKALI ŚWIATOWEJ
ELLINGTON, SCHUMANN, VIVALDI, Arne Domnerus, Gustaf Sjokvist
Antiphone Blues
Uwaga! Pełna dynamika nagrania! EDYCJE NUMEROWANE, LIMITOWANE
Arne Domnerus, Bengt Hallberg, Lars Erstrand
Jazz At The Pawnshop
Najbardziej audiofilska płyta jazzowa minionego stulecia!
Legendarne brzmienie DORIAN
Winylowy niezbędnik
ClearAudio
Double Matrix Professional - Sonic
najbardziej inteligentna i skuteczna pralka do płyt winylowych wszelkiego typu - całkowicie automatyczna
Klasyczne evergreeny
BEETHOVEN, Valdimir Horowitz
Piano Sonata No. 23 in F Minor, Op. 57 APPASSIONATA // Piano Sonata No. 7 in D, Op. 10, No. 3
LIVING STEREO - NAJLEPSZE NAGRANIA W DZIEJACH FONOGRAFII!
TCHAIKOVSKY, RACHMANINOV, Arthur Rubinstein, Daniel Barenboim
Piano Concerto No. 1 in B-Flat Minor, Op. 23 // Piano Concerto No 2 in C Minor, Op. 18
24bit/92kHz Remastering from original source
SAMARTINI, TORELLI, CORELLI, CHARPENTIER, LALANDE, Bernard Labadie and Les Violons Du Roy – Broque Christmas Concerti
| Wykonawcy / kompozytorzy | |
|---|---|
| SAMARTINI (composer) | |
| TORELLI (composer) | |
| CORELLI (composer) | |
| CHARPENTIER (composer) | |
| LALANDE (composer) | |
| Bernard Labadie and Les Violons Du Roy (orchestra) | |
- Lalande, Sammartini, Torelli, Pez, Corelli, Charpentie - Les Violons du Roy - Bernard Labadie - Broque Christmas Concerti - MIX
- Michel Richard de Lalande
- 1. Simphonies des noëls: Andante 1:17
- 2. Simphonies des noëls: Trio 2:57
- 3. Simphonies des noëls: Simphonie 1:35
- Giuseppe Samartini
- 4. Concerto grosso in G minor, Op 5, No. 6: Spirtoso - Allegro - Spiritoso 3:50
- 5. Concerto grosso in G minor, Op 5, No. 6: Rondo - Allegro moderato e grazioso 6:05
- 6. Concerto grosso in G minor, Op 5, No. 6: Pasrorale - Andante sostenuto 4:02
- Giuseppe Torelli
- 7. Concerto a quattro Op. 8, No. 6 in forma di Pastorale per il Santissimo Natale: Grave - Vivace 2:07
- 8. Concerto a quattro Op. 8, No. 6 in forma di Pastorale per il Santissimo Natale: Largo 2:02
- 9. Concerto a quattro Op. 8, No. 6 in forma di Pastorale per il Santissimo Natale 1:43
- Johamm Christoph Pez
- 10. Concerto pastorale in F Major: Pastorale 2:13
- 11. Concerto pastorale in F Major: Aria 1:22
- 12. Concerto pastorale in F Major: Aria 2:04
- 13. Concerto pastorale in F Major: Aria - Pastorale 2:12
- 14. Concerto pastorale in F Major: Minuet - Trio 2:53
- 15. Concerto pastorale in F Major: Passacaglia 5:38
- 16. Concerto pastorale in F Major: Aria - Presto 1:28
- Arcangelo Corelli
- 17. Concerto grosso en G Minor, Op. 6, No. 8 Fatto per la notte di natale: Vivace - Grave 1:11
- 18. Concerto grosso en G Minor, Op. 6, No. 8 Fatto per la notte di natale: Allegro 2:17
- 19. Concerto grosso en G Minor, Op. 6, No. 8 Fatto per la notte di natale: Adagio - Allegro - Adagio 3:01
- 20. Concerto grosso en G Minor, Op. 6, No. 8 Fatto per la notte di natale 0:58
- 21. Concerto grosso en G Minor, Op. 6, No. 8 Fatto per la notte di natale: Allegro - Pastrorale ad libitum 5:50
- Marc-Antoine Charprntier
- 22. Noëls pour les instruments: Les bourgeois de Châtre 1:33
- 23. Noëls pour les instruments: Joseph est bien marié 1:00
- 24. Noëls pour les instruments: Or nous dites, Marie 2:09
- 25. Noëls pour les instruments: Laissez paître vos bêtes 0:59
- 26. Noëls pour les instruments: Vous qui dêsirez sans fin 2:46
- 27. Noëls pour les instruments: À la venue de Noël 1:10
- 28. Noëls pour les instruments: O Créateur 2:27
- 29. Noëls pour les instruments: Une jeune pucelle 1:19
- 30. Noëls pour les instruments: Où s'en vont ces gais bergers? 1:20
- Bernard Labadie and Les Violons Du Roy - orchestra
- SAMARTINI
- TORELLI
- CORELLI
- CHARPENTIER
- LALANDE
NAGRANIE REFERENCYJNE - 20bit - FIBER OPTIC DISK
In the Baroque, the arousal of the affections - the discrete states of emotions such as fear, love, hate, anger and joy - was considered the principal objective of poetry and music. Whether solo or ensemble, instrumental music of the late Baroque emerged in three principal forms: (1) the suite, a loosely organized series of stylized dance movements (a very popular form for keyboard pieces); (2) the sonata, a chamber work for one or more soloists (i.e, the trio sonata); and (3) the concerto (from the Italian conserere, "to agree, to get together" or the Latin concertare - to fight or struggle). - J. Knighten Smit
