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HIMALAJE aufiofilizmu
ORFF, Tschechische Philharmonie Prag, Vaclav Smetacek
Carmina Burana
Legendarne nagranie, niezmiennie poszukiwane od dziesięcioleci
BACH, Jean Guillou
Toccatas et Fugues (BWV 538, 540, 564 & 565)
EDYCJA LIMITOWANA, NUMEROWANA - TYLKO 500 EGZEMPLARZY W SKALI ŚWIATOWEJ
ELLINGTON, SCHUMANN, VIVALDI, Arne Domnerus, Gustaf Sjokvist
Antiphone Blues
Uwaga! Pełna dynamika nagrania! EDYCJE NUMEROWANE, LIMITOWANE
Arne Domnerus, Bengt Hallberg, Lars Erstrand
Jazz At The Pawnshop
Najbardziej audiofilska płyta jazzowa minionego stulecia!
Legendarne brzmienie DORIAN
Winylowy niezbędnik
ClearAudio
Double Matrix Professional - Sonic
najbardziej inteligentna i skuteczna pralka do płyt winylowych wszelkiego typu - całkowicie automatyczna
Klasyczne evergreeny
BEETHOVEN, Valdimir Horowitz
Piano Sonata No. 23 in F Minor, Op. 57 APPASSIONATA // Piano Sonata No. 7 in D, Op. 10, No. 3
LIVING STEREO - NAJLEPSZE NAGRANIA W DZIEJACH FONOGRAFII!
TCHAIKOVSKY, RACHMANINOV, Arthur Rubinstein, Daniel Barenboim
Piano Concerto No. 1 in B-Flat Minor, Op. 23 // Piano Concerto No 2 in C Minor, Op. 18
24bit/92kHz Remastering from original source
PROKOFIEV, RAVEL, Martha Argerich, Claudio Abbado, Berliner Philharmoniker – Klavierkonzerte Nr 3 // Klavierkonzert G-dur
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| Wykonawcy / kompozytorzy | |
|---|---|
| PROKOFIEV (composer) | |
| RAVEL (composer) | |
| Martha Argerich (piano) | |
| Claudio Abbado (conductor) | |
| Berliner Philharmoniker (orchestra) | |
- Side A
- 1. Prokofiev:1.Andante-Allero
- 2. Prokofiev:2.Tema Con Variazione
- 3. Prokofiev:3.Allegro Ma Non Troppo
- Side B
- 1. Ravel:1.Allegramente
- 2. Ravel:2. Adagio Assai
- 3. Ravel:3.Presto
- Martha Argerich - piano
- Claudio Abbado - conductor
- Berliner Philharmoniker - orchestra
- PROKOFIEV
- RAVEL
REVIEW This performance . . . is a bargain in the true sense, in that its quality is far outweighed by the prize-tag. The Third Concerto is a work that Argerich has made her own, and this recording . . . is sizzling account of one of Prokofiev's most show-stopping scores . . . with Argerich in the Third there is that special ingredient of daredevil wizardry, a sense of living for the moment and on the brink . . . There is a perfect meeting of minds here, whether in the lyric's quirky lyricism or in its high-octane drive, and the whole performance simply grips you by the throat - Geoff Norris, Daily Telegraph (London) / March 1 2003 - Argerich at her most charismatically brilliant - BBC Music Magazine (London) / November 1 2007
