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ORFF, Tschechische Philharmonie Prag, Vaclav Smetacek
Carmina Burana
BACH, Jean Guillou
Toccatas et Fugues (BWV 538, 540, 564 & 565)
ELLINGTON, SCHUMANN, VIVALDI, Arne Domnerus, Gustaf Sjokvist
Antiphone Blues
Arne Domnerus, Bengt Hallberg, Lars Erstrand
Jazz At The Pawnshop
Legendarne brzmienie DORIAN
Winylowy niezbędnik
ClearAudio
Double Matrix Professional - Sonic
Klasyczne evergreeny
BEETHOVEN, Valdimir Horowitz
Piano Sonata No. 23 in F Minor, Op. 57 APPASSIONATA // Piano Sonata No. 7 in D, Op. 10, No. 3
TCHAIKOVSKY, RACHMANINOV, Arthur Rubinstein, Daniel Barenboim
Piano Concerto No. 1 in B-Flat Minor, Op. 23 // Piano Concerto No 2 in C Minor, Op. 18
MAHLER, Carlo Maria Giulini – Symphony No. 9
Opinions differ as to whether Mahler's Ninth is a work filled with world-weariness and the pain of leave-taking or whether it is - more strictly speaking - a piece of absolute music. What is certain is that this gigantic composition is one of the last tonal masterpieces which was written on the threshold to modernism. It is no wonder, therefore, that numerous recordings exist - many of which are filled with extreme pathos. Among the plethora of recordings of this later Romantic work, the present interpretation by Giulini and his excellent Chicago Symphony Orchestra stands out for many reasons. Giulini tackles the enormously expressive score with clear analytical reasoning, without becoming merely a dull executor of the musical notes. His performance is filled with transparency even in the finest and smallest melodic elements and glows with a warm and expansive timbre. Even what is often heard as brutal and dynamic in the weighty brass section is here given a more poignant and fateful sound.