Logowanie
HIMALAJE aufiofilizmu
ORFF, Tschechische Philharmonie Prag, Vaclav Smetacek
Carmina Burana
Legendarne nagranie, niezmiennie poszukiwane od dziesięcioleci
BACH, Jean Guillou
Toccatas et Fugues (BWV 538, 540, 564 & 565)
EDYCJA LIMITOWANA, NUMEROWANA - TYLKO 500 EGZEMPLARZY W SKALI ŚWIATOWEJ
ELLINGTON, SCHUMANN, VIVALDI, Arne Domnerus, Gustaf Sjokvist
Antiphone Blues
Uwaga! Pełna dynamika nagrania! EDYCJE NUMEROWANE, LIMITOWANE
Arne Domnerus, Bengt Hallberg, Lars Erstrand
Jazz At The Pawnshop
Najbardziej audiofilska płyta jazzowa minionego stulecia!
Legendarne brzmienie DORIAN
Winylowy niezbędnik
ClearAudio
Double Matrix Professional - Sonic
najbardziej inteligentna i skuteczna pralka do płyt winylowych wszelkiego typu - całkowicie automatyczna
Klasyczne evergreeny
BEETHOVEN, Valdimir Horowitz
Piano Sonata No. 23 in F Minor, Op. 57 APPASSIONATA // Piano Sonata No. 7 in D, Op. 10, No. 3
LIVING STEREO - NAJLEPSZE NAGRANIA W DZIEJACH FONOGRAFII!
TCHAIKOVSKY, RACHMANINOV, Arthur Rubinstein, Daniel Barenboim
Piano Concerto No. 1 in B-Flat Minor, Op. 23 // Piano Concerto No 2 in C Minor, Op. 18
24bit/92kHz Remastering from original source
MAHLER, Margaret Price, Agnes Baltsa, Herman Prey, Leonard Bernstein – Symphonie No. 8 / Symphonie No. 10 - Adagio
| Wykonawcy / kompozytorzy | |
|---|---|
| MAHLER (composer) | |
| Margaret Price (soprano) | |
| Agnes Baltsa (mezzosopran) | |
| Herman Prey (baritone) | |
| Leonard Bernstein (conductor) | |
| Wiener Philharmoniker (orchestra) | |
Side A:
Symphony No. 10
1. Adagio
Side B:
Symphony No. 8 - Part 1
2. Hymnus "Veni, creator spiritus"
Side C:
Symphony No. 8 - Part 2 (Schlusszene aus Goethes "Faust II"
3. Poco adagio
Side D:
Symphony No. 8 - Part 2 (Schlusszene aus Goethes "Faust II"
4. Schon etwas langsamer und immer noch massiger
Side E:
Symphony No. 8 - Part 2 (Schlusszene aus Goethes "Faust II"
5. Hymnenartig
Side F:
Blank - No music
- Margaret Price - soprano
- Agnes Baltsa - mezzosopran
- Herman Prey - baritone
- Leonard Bernstein - conductor
- Wiener Philharmoniker - orchestra
- MAHLER
This, then, is the last Bernstein Eighth — a one-off caught live at the 1975 Salzburg Festival … it (the live recording) isn't ideal, but suffice it to say, Bernstein in this repertory is not easily suppressed and, somehow or other, the fervour of the occasion shines through its shortcomings. The Adagio from the Tenth, here once more is an object lesson in Mahlerian sostenuto with Bernstein breathing through and beyond the great arching phrases, aided and abetted by the unique burnished colour of those famed Vienna strings and horns. … There is still a very special tension in the air. There always was. - The Gramophone Magazine
