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HIMALAJE aufiofilizmu
ORFF, Tschechische Philharmonie Prag, Vaclav Smetacek
Carmina Burana
BACH, Jean Guillou
Toccatas et Fugues (BWV 538, 540, 564 & 565)
ELLINGTON, SCHUMANN, VIVALDI, Arne Domnerus, Gustaf Sjokvist
Antiphone Blues
Arne Domnerus, Bengt Hallberg, Lars Erstrand
Jazz At The Pawnshop
Legendarne brzmienie DORIAN
Winylowy niezbędnik
ClearAudio
Double Matrix Professional - Sonic
Klasyczne evergreeny
BEETHOVEN, Valdimir Horowitz
Piano Sonata No. 23 in F Minor, Op. 57 APPASSIONATA // Piano Sonata No. 7 in D, Op. 10, No. 3
TCHAIKOVSKY, RACHMANINOV, Arthur Rubinstein, Daniel Barenboim
Piano Concerto No. 1 in B-Flat Minor, Op. 23 // Piano Concerto No 2 in C Minor, Op. 18
KODALY, PROKOFIEV, DUTILLEUX, Yoko Hasegawa – Oh! Cello Goddess
CloseCover Gallery
| Wykonawcy / kompozytorzy | |
|---|---|
| KODALY (composer) | |
| PROKOFIEV (composer) | |
| DUTILLEUX (composer) | |
| Yoko Hasegawa (cello) | |
- Yoko Hasegawa - cello
- KODALY
- PROKOFIEV
- DUTILLEUX
AAD is a Digital Copy Of
The Master Tape
This album collected unaccompanied opuses with great difficulty. It does not only require the superb skills for the player but also demands the high taste and great patience of the audience. Yoko Hasegawa’s agile and enthusiastic performance showed a great attraction as well as infection. When mentioning unaccompanied cello opus, people will think of Bach’s six cello songs. Just because they were unaccompanied, the breath-taking performance and the changes in the music are combined together perfectly to lead the audience forward. Compared with this opus, the skill of playing Kodaly’s (Hungarian Composer) opuses are much harder. In order to achieve climax, it it requires the cellists’ power, tone and smooth sense of rhythm. The second section touched people a lot. Yoko Hasegawa creates a fantastic sense of rhythm. It is a kind of “endless epilogue”, which can’t explain by music theory. You can find similar effects in Dutilleux and prokoflev’s opuses.
