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ORFF, Tschechische Philharmonie Prag, Vaclav Smetacek
Carmina Burana
BACH, Jean Guillou
Toccatas et Fugues (BWV 538, 540, 564 & 565)
ELLINGTON, SCHUMANN, VIVALDI, Arne Domnerus, Gustaf Sjokvist
Antiphone Blues
Arne Domnerus, Bengt Hallberg, Lars Erstrand
Jazz At The Pawnshop
Legendarne brzmienie DORIAN
Winylowy niezbędnik
ClearAudio
Double Matrix Professional - Sonic
Klasyczne evergreeny
BEETHOVEN, Valdimir Horowitz
Piano Sonata No. 23 in F Minor, Op. 57 APPASSIONATA // Piano Sonata No. 7 in D, Op. 10, No. 3
TCHAIKOVSKY, RACHMANINOV, Arthur Rubinstein, Daniel Barenboim
Piano Concerto No. 1 in B-Flat Minor, Op. 23 // Piano Concerto No 2 in C Minor, Op. 18
HAYDN, Salvatore Accardo, Edo de Waart – Violin Concertos and Cello Concertos
| Wykonawcy / kompozytorzy | |
|---|---|
| HAYDN (composer) | |
| Edo de Waart (conductor) | |
| Salvatore Accardo (violin) | |
- CD 1
- Violin Concerto in C major, Hob.VIIa:1
- 1. I. Allegro moderato - 10:20
- 2. II. Adagio - 06:29
- 3. III. Finale: Presto (cadenza by F. Tamponi) - 04:27
- Violin Concerto in A major, Hob.VIIa:3
- 4. I. Moderato - 12:35
- 5. II. Adagio - 08:21
- 6. III. Finale: Allegro (cadenza by F. Tamponi) - 05:37
- Violin Concerto in G major, Hob.VIIa:4
- 7. I. Allegro moderato - 08:45
- 8. II. Adagio - 07:48
- 9. III. Allegro (cadenza by F. Tamponi) - 03:41
- CD 2
- Double Concerto in F major, Hob.XVIII:6
- 1. I. Allegro moderato - 06:29
- 2. II. Largo - 09:02
- 3. III. Presto - 02:45
- Cello Concerto No. 1 in C major, Hob.VIIb:1
- 4. I. Moderato - 10:36
- 5. II. Adagio - 09:24
- 6. III. Finale: Allegro molto - 08:05
- Cello Concerto No. 2 in D major, Hob.VIIb:2
- 7. I. Allegro moderato - 13:24
- 8. II. Adagio - 06:07
- 9. III. Rondo: Allegro - 05:46
- Łączny czas: 02:19:41
- Edo de Waart - conductor
- Salvatore Accardo - violin
- HAYDN
After Haydn became vice-Kapellmeister to the Esterházy family in 1761, he soon realised that he had at his disposal some remarkable musicians in the orchestra at the court. In his Symphonies 6, 7 and 8 he had given the principal musicians significant solo parts. Although he didn’t repeat this in later symphonies, he produced a series of concertos for violinist Luigi Tomasini, cellist Joseph Weigl and others. These works lay unknown throughout the 19th century, and only came to light in the first part of the 20th – in fact the famous D major Cello Concerto (now one of the most popular of Haydn’s works and one of the ‘great’ cello concertos) wasn’t discovered until the early 1950s. New booklet notes by Haydn authority David Threasher. ‘The recorded quality is lifelike, surfaces are completely silent – save for the impeccable playing of these splendid artists.’ Gramophone, October 1981 (violin concertos)