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ORFF, Tschechische Philharmonie Prag, Vaclav Smetacek
Carmina Burana
BACH, Jean Guillou
Toccatas et Fugues (BWV 538, 540, 564 & 565)
ELLINGTON, SCHUMANN, VIVALDI, Arne Domnerus, Gustaf Sjokvist
Antiphone Blues
Arne Domnerus, Bengt Hallberg, Lars Erstrand
Jazz At The Pawnshop
Legendarne brzmienie DORIAN
Winylowy niezbędnik
ClearAudio
Double Matrix Professional - Sonic
Klasyczne evergreeny
BEETHOVEN, Valdimir Horowitz
Piano Sonata No. 23 in F Minor, Op. 57 APPASSIONATA // Piano Sonata No. 7 in D, Op. 10, No. 3
TCHAIKOVSKY, RACHMANINOV, Arthur Rubinstein, Daniel Barenboim
Piano Concerto No. 1 in B-Flat Minor, Op. 23 // Piano Concerto No 2 in C Minor, Op. 18
DVORAK, Yehudi Menuhin, Paavo Jarvi, Royal Philharmonic Orchestra – Symphonies 8, 9 (New World) / Serenade Op.22 / Carnival Ovt / Scherzo Capriccioso
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| Wykonawcy / kompozytorzy | |
|---|---|
| DVORAK (composer) | |
| Yehudi Menuhin (violin) | |
| Paavo Jarvi (conductor) | |
| Royal Philharmonic Orchestra (orchestra) | |
- Yehudi Menuhin - violin
- Paavo Jarvi - conductor
- Royal Philharmonic Orchestra - orchestra
- DVORAK
Review by Mike D. Brownell [-] The Royal Philharmonic Orchestra is joined here by two legendary conductors: Yehudi Menuhin and Paavo Järvi. The actual recorded sound on both discs is inconsistent and problematic. At times, the sound is clear, full, and rich. But more often than not, it almost sounds like a monaural recording. That is, the sound is frequently "dead" and flat, and it sounds as if the orchestra is sitting in a different room than the microphones. These sound quality issues detract significantly from the enjoyment of this album. Menuhin, who conducts Dvorák's Eighth Symphony and the Serenade for Strings, provides the more successful half of the collection. His tempi choices are much more appropriately matched to the music. The Adagio from the Eighth Symphony is quite beautifully performed, and the finale is exuberant and driven. The String Serenade, while not as edgy as performed by the Orpheus Chamber Orchestra, is still satisfying and exciting. Surprisingly, Järvi's interpretation of the Ninth Symphony is exceedingly lackluster. The three fast movements, labeled Allegro molto, Molto vivace, and Allegro con fuoco, are each quite slow. This blasé reading coupled with the sound quality issues makes for a generally unsatisfactory recording choice.