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Arne Domnerus, Bengt Hallberg, Lars Erstrand
Jazz At The Pawnshop
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Legendarne brzmienie DORIAN
Winylowy niezbędnik
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Klasyczne evergreeny
BEETHOVEN, Valdimir Horowitz
Piano Sonata No. 23 in F Minor, Op. 57 APPASSIONATA // Piano Sonata No. 7 in D, Op. 10, No. 3
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TCHAIKOVSKY, RACHMANINOV, Arthur Rubinstein, Daniel Barenboim
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BRAHMS, BRUCH, Hideko Udagawa, Sir Charles Mackerras, The London Symphony Orchestra – Violin Concertos
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| Wykonawcy / kompozytorzy | |
|---|---|
| BRAHMS (composer) | |
| BRUCH (composer) | |
| Hideko Udagawa (violin) | |
| Sir Charles Mackerras (conductor) | |
| The London Symphony Orchestra (orchestra) | |
Brahms:
Violin Concerto in D major, Op. 77
Bruch
Violin Concerto No. 1 in G minor, Op. 26
- Hideko Udagawa - violin
- Sir Charles Mackerras - conductor
- The London Symphony Orchestra - orchestra
- BRAHMS
- BRUCH
Perhaps the most well-known direct comparison between both the Brahms and Bruch violin concertos comes from Hans von Bülow who commented that while Bruch had written a concerto for the violin, Brahms had composed one against it. And whilst this is perhaps a little harsh toward Brahms, one can see von Bülow's point: Bruch uses the orchestra to support his soloist whilst Brahms attempts to treat both soloist and orchestra as equals. Comparisons aside, both concertos are towering examples of the genre which are, and will remain, firmly established staples of concerto repertoire.