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24bit/92kHz Remastering from original source
BOCCHERINI, Trio Arcophon, I Filarmonici di Bologna, Angelo Ephrikian – Six Trios Op.1, Six Sinfonias Op.35
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| Wykonawcy / kompozytorzy | |
|---|---|
| BOCCHERINI (composer) | |
| Trio Arcophon (group) | |
| I Filarmonici di Bologna (orchestra) | |
| Angelo Ephrikian (conductor) | |
Disc 1
1. String Trio in F major, Op. 1, No. 1, G. 77 00:14:14
2. String Trio in B flat major, Op. 1, No. 2, G. 78 00:11:40
3. String Trio in A major, Op. 1, No. 3, G. 79 00:10:27
4. String Trio in D major, Op. 1, No. 4, G. 80 00:12:27
5. String Trio in G major, Op. 1, No. 5, G. 81 00:10:14
6. String Trio in C major, Op. 1, No. 6, G. 82 00:11:32
Disc 2
Symphony in D major, Op. 35, No. 1, G. 509
1. I. Allegro assai 00:06:34
2. II. Andantino lento 00:05:47
3. III. Prestissimo 00:03:37
Symphony in E flat major, Op. 35, No. 2, G. 510
4. I. Allegro vivo 00:04:49
5. II. Andante 00:05:54
6. III. Allegro giusto 00:04:34
Symphony in A major, Op. 35, No. 3, G. 511
7. I. Allegro giusto 00:03:58
8. II. Andante 00:07:13
9. III. Allegro ma non presto 00:04:29
Disc 3
Boccherini, Luigi
Symphony in F major, Op. 35, No. 4, G. 512
1. I. Allegro assai 00:04:52
2. II. Andantino 00:04:35
3. III. Allegro vivace 00:03:36
Symphony in E flat major, Op. 35, No. 5, G. 513
4. I. Allegro con moto 00:04:19
5. II. Andante 00:03:43
6. III. Tempo di Minuetto 00:04:02
Symphony in B flat major, Op. 35, No. 6, G. 514
7. I. Allegro assai 00:05:24
8. II. Andante 00:05:40
9. III. Presto - Minuetto - Presto 00:03:10
Total Playing Time: 02:36:50
- Trio Arcophon - group
- I Filarmonici di Bologna - orchestra
- Angelo Ephrikian - conductor
- BOCCHERINI
Luigi Boccherini composed a large amount of chamber music, no doubt influenced by his virtuosity as a cellist. His Op. 1 string trios, written when he was only 17 years old, are lively, charming works firmly rooted in the Classical era yet with first movements tending to resemble Baroque suite forms. Boccherini also composed some 30 symphonies (sinfonias), the six of Op.35 in 1782. Scored for oboes, horns and strings, these delightful works reveal the composer’s use of syncopation and the strong influence of Haydn.
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