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HIMALAJE aufiofilizmu
ORFF, Tschechische Philharmonie Prag, Vaclav Smetacek
Carmina Burana
Legendarne nagranie, niezmiennie poszukiwane od dziesięcioleci
BACH, Jean Guillou
Toccatas et Fugues (BWV 538, 540, 564 & 565)
EDYCJA LIMITOWANA, NUMEROWANA - TYLKO 500 EGZEMPLARZY W SKALI ŚWIATOWEJ
ELLINGTON, SCHUMANN, VIVALDI, Arne Domnerus, Gustaf Sjokvist
Antiphone Blues
Uwaga! Pełna dynamika nagrania! EDYCJE NUMEROWANE, LIMITOWANE
Arne Domnerus, Bengt Hallberg, Lars Erstrand
Jazz At The Pawnshop
Najbardziej audiofilska płyta jazzowa minionego stulecia!
Legendarne brzmienie DORIAN
Winylowy niezbędnik
ClearAudio
Double Matrix Professional - Sonic
najbardziej inteligentna i skuteczna pralka do płyt winylowych wszelkiego typu - całkowicie automatyczna
Klasyczne evergreeny
BEETHOVEN, Valdimir Horowitz
Piano Sonata No. 23 in F Minor, Op. 57 APPASSIONATA // Piano Sonata No. 7 in D, Op. 10, No. 3
LIVING STEREO - NAJLEPSZE NAGRANIA W DZIEJACH FONOGRAFII!
TCHAIKOVSKY, RACHMANINOV, Arthur Rubinstein, Daniel Barenboim
Piano Concerto No. 1 in B-Flat Minor, Op. 23 // Piano Concerto No 2 in C Minor, Op. 18
24bit/92kHz Remastering from original source
Bill Evans, Eddie Gomez, Marty Morrell – The Bill Evans Album
| Wykonawcy / kompozytorzy | |
|---|---|
| Bill Evans (piano) | |
| Eddie Gomez (double bass) | |
| Marty Morrell (drums) | |
- 1. Funkallero - 6:10
- 2. Two Lonely People (Evans) - 6:13
- 3. Sugar Plum (Evans) - 7:45
- 4. Waltz for Debby (Evans/Lees) - 6:40
- 5. T.T.T. (Twelve Tone Tune) (Evans) - 7:39
- 6. Re: Person I Knew (Evans) - 5:55
- 7. Comrade Conrad (Evans) - 7:49
- Bill Evans - piano
- Eddie Gomez - double bass
- Marty Morrell - drums
This LP (which adds three "new" alternate takes to the original seven song-program), Bill Evans made his debut on electric piano, usually playing it in conjunction with his acoustic piano. Joined by bassist Eddie Gomez and drummer Marty Morell, Evans performs seven of his stronger originals including "Funkallero," "The Two Lonely People," "Re: Person I Knew," "T.T.T." and "Waltz for Debby." Although not as distinctive on the electric keyboard as he was on the acoustic counterpart, Evans sounds inspired by its possibilities and is heard in top creative form throughout the date. Scott Yanow
