Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
CHILCOTT, Wells Cathedral Choir, Matthew Owens
Requiem and other works
- Requiem*† [41'49]
- 1 Introit and Kyrie [9'27]
- 2 Offertorio [7'48]
- 3 Pie Jesu [6'02]
- 4 Sanctus and Benedictus [2'13]
- 5 Agnus Dei [5'00]
- 6 Thou knowest, Lord [5'03]
- 7 Lux aeterna [6'11]
- Salisbury Motets [17'56]
- 8 I sing of a mayden† [4'06]
- 9 When to the temple Mary went [4'39]
- 10 Lovely tear of lovely eye† [6'09] bm Hail, star of the sea most radiant [3'00]
- 11 Downing Service † [7'23]
- 12 Pilgrim Jesus [2'12] bq The Nine Gifts † [4'25]
- 13 Jesus, springing † [5'50]
- all first recordings
- Wells Cathedral Choir - choir
- Matthew Owens - conductor
- CHILCOTT
'Chilcott's Requiem, mostly set to Latin texts, pays homage to its great predecessors yet has its own distinctive, serene, meditative quality, beautifully rendered by the mixed voices of Wells Cathedral Choir, Laurie Ashworth (soprano) and Andrew Staples (tenor)' (The Observer) 'A lovely recording … This is a particularly gorgeous and uplifting work, delivered here with great sensitivity and eloquence. Owens ensures some crisp, immaculate entries, wonderful tonal purity and excitingly varied dynamics' (The Oxford Times) --------- Composer and conductor Bob Chilcott (born 1955) has been steeped in the British choral tradition since he was a boy chorister. A former member of The King’s Singers, he is now one of the UK’s most prolific and creative choral composers, writing appealingly direct and accessible music with memorable melodies reminiscent of John Rutter at his best. Of his most recent large-scale work, his Requiem (2010), Chilcott says he was initially ‘terrified by the idea’ of writing a work with such a weight of history behind it, but he has certainly risen to the challenge: his Requiem is characterized by a gentle, forgiving atmosphere clearly modelled on Fauré’s Requiem, with a crystalline, reflective Pie Jesu for solo soprano at the emotional heart of the work. This and the other works performed here, all first recordings, are beautifully performed by Wells Cathedral Choir and Matthew Owens, The Nash Ensemble and two superb young soloists.