Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
BRAHMS, Helene Grimaud, Andris Nelsons, Symphonie-Orchester des Bayerischen Rundfunk, Wiener Philharmoniker
Concertos
Piano Concerto No. 1 in D Minor op. 15
1. 1. Maestoso - Poco pi? moderato (Live) 23:50
2. 2. Adagio (Live) 14:22
3. 3. Rondo. Allegro non troppo (Live) 12:26
Piano Concerto No. 2 in B Flat Major op. 83
1. 1. Allegro non troppo 18:51
2. 2. Allegro appassionato 9:25
3. 3. Andante - Pi? adagio 12:44
4. 4. Allegretto grazioso - Un poco pi? presto 9:17
- Helene Grimaud - piano
- Andris Nelsons - conductor
- Symphonie-Orchester des Bayerischen Rundfunk - orchestra
- Wiener Philharmoniker - orchestra
- BRAHMS
Reviews
February 2014
a superb pianist at the height of their powers [...] teamed to a conductor with whom they seem to have instinctive rapport...there's drama aplenty in the big first movement of the [Second] Concerto. Nelsons secures some delightfully pointed orchestral playing in No. 1's finale, and really creates the restorative calm of No. 2's slow movement.
Awards Issue 2013
Grimaud's second recording of the First sounds a tad less youthful, a tad more disciplined [than her first], but the balance between those two elements remains truly inspired...The Vienna Philharmonic...are a truly imposing force right from the opening...her results [in Op. 83] end up being no less monumental.
18th November 2013
judged on their own merits, [the performances] are outstanding: by turns, majestic, passionate, tender and dramatic... Grimaud?s slow movement is the highlight of the whole recording...The orchestral playing and direction, so crucial in these works, is exemplary as would be expected from two of the world?s great orchestras and one of the new generation of fine conductors.
11th October 2013
Throughout the CD, both conductor and soloist love to crawl when Brahms gives them half a chance. But they also grab the coin?s opposite side and sprint with tremendous vim through the second concerto?s finale...Either way, Grimaud and Nelsons have made their mark.
