Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
TCHAIKOVSKY, Efrem Kurtz, The Philharmonia Orchestra
The Nutcracker Op. 71
ZamknijGaleria okładek
- Efrem Kurtz - conductor
- The Philharmonia Orchestra - orchestra
- TCHAIKOVSKY
189.00 PLN
XRCD24:
Nr kat.: HIQXRCD51Label : JVC XRCD
A tall imposing figure, so tall, in fact, that he often dispensed with a podium, Efrem Kurtz was a distinguished Russian conductor, who had studied with Glazunov and Tcherepnin and was a pupil of Arthur Nikisch. Kurtz had a broad symphonic and operatic repertory and conducted the premieres of works by Copland, Barber, Walton, Hindemith, Stravinsky, Shostakovich and Khachaturian. But he was most highly regarded for his interpretations of Russian music.
Kurtz was a familiar name to the record collector of the 1950s and embarked upon a series of Tchaikovsky ballet recordings with the Philharmonia Orchestra for EMI in 1958. HIQ has already released Swan Lake and the release The Sleeping Beauty is in preparation. Of this Nutcracker highlights Gramaphone wrote: "This is probably as good a selection as could reasonably be expected."
In the original review in The Gramophone of November 1958, R.F. remarked: "The orchestral quality is superb, and the dynamic contrasts tremendous. If you can hear the opening pizzicato notes of the Sugar-Plum Fairy, the end of the Valse des Fleurs will have your neighbours banging on the wall in desperation."
>>> Płyty XRCD do odtworzenia we wszystkich typach czytników CD oraz DVD. Gwarantują niespotykaną wcześniej analogową jakość brzmienia, znakomitą scenę i wyjątkową przejrzystość oraz kolorystykę dźwięku. <<<
