Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
Ella Fitzgerald, Louis Armstrong
Ella and Louis
- Ella Fitzgerald and Louis Armstrong - Ella and Louis
- 01. Can't We Be Friends? (3:48)
- 02. Isn't This a Lovely Day? (6:16)
- 03. Moonlight in Vermont (3:43)
- 04. They Can't Take That Away From Me (4:40)
- 05. Under a Blanket of Blue (4:18)
- 06. Tenderly (5:09)
- 07. A Foggy Day (4:33)
- 08. Stars Fell on Alabama (3:34)
- 09. Cheek to Cheek (5:54)
- 10. The Nearness of You (5:41)
- 11. April in Paris (6:38)
- Ella Fitzgerald - vocal
- Louis Armstrong - trumpet
NAGRANIE Z MEDALOWEGO MIEJSCA SWIATOWEJ HISTORII JAZZU! The very fact that America's biggest jazz label called one of their albums quite simply "Ella and Louis" indicates that we are talking about something very special here. And surely enough has been said - "Satchmo" and the grande dame of jazz certainly need no further introduction. In the '50s just the mere mention of their forenames was enough to light up the eyes of jazz fans. A glance at the tracklist reveals that tranquility rules the day: wild stomps and improvised scats will neither be sought nor missed. Of prime importance to the jazz-ballad is a feeling of "letting oneself drift" in the inspiration which gushes forth from the minds of genial American songwriters. This is no contest - for the artists all pursue a common goal with extreme sensitiveness. The background combo, made up of first-class musicians and led by Oscar Peterson, performs with great concentration and almost obtrusive unobtrusiveness. VERVE's highly successful producer Norman Granz decided quite deliberately to make the recording in the studio instead of at a live session. And success has verified his judgement, for such vocal jazz knows only gentle tones - but the result is all the more intensive for that.
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